A disconnect that loses its urge
Saumi Nandy claims to disconnect from her surroundings, from society, and even from her formal self through her art. Her canvases, displayed in the exhibition, Image within Image: A Psychic Journey (Academy of Fine Arts, October 21-27), reflect a contradiction between melancholy and celebration, as also between aloofness and involvement.
She has been both flamboyant and hesitant in her approach. Her strokes are bold and direct, but she shies away from reaching an aesthetic crescendo in most of her paintings. What is lacking is not skill but an absolute surrender to passion. This could have rendered subtlety to her art had she not chosen gestural abstraction as her style.
Gestural abstraction, also known as action painting, demands of the artist a great level of spontaneity, a kind of fanatic ardour. The philosophy behind this genre comprises the attempt to achieve direct access to the artists subconscious; the works of painters such as Franz Kline dwell on the physical act of painting the impulsive madness of the brush.



Painting Gesso onto a
@ girllll you better grab a white
Idea Number 2: Go paintballing in a white canvas jumpsuit and be a Jackson Pollack painting.